{"id":1835,"date":"2024-09-20T10:24:57","date_gmt":"2024-09-20T08:24:57","guid":{"rendered":"https:\/\/www.butterfly-transport.eu\/?p=1835"},"modified":"2025-03-07T09:54:29","modified_gmt":"2025-03-07T08:54:29","slug":"surrealism-and-italy","status":"publish","type":"post","link":"https:\/\/www.butterfly-transport.eu\/index.php\/en\/2024\/09\/20\/surrealism-and-italy\/","title":{"rendered":"Surrealism and Italy"},"content":{"rendered":"\n<p><strong>Fondazione Magnani-Rocca, Mamiano di Traversetolo \u2013 Parma<\/strong><br>SEPTEMBER 14 2024 \u2013 DECEMBER 15 2024<\/p>\n\n\n\n<p>Surrealism was born one hundred years ago; from that moment on, the perception of the world will never be the same. \u201cImagination is nothing but the revelation of what we are, of our own substance, which is dream, purity, energy, freedom.\u201d wrote Andr\u00e9 Breton in the Manifeste du Surr\u00e9alisme, published on October 15, 1924, officially marking the beginning of the movement.<\/p>\n\n\n\n<p>This is how in the Villa dei Capolavori, home of the Magnani-Rocca Foundation in Mamiano di Traversetolo near Parma, a few steps from the rooms that host capital works by Renoir, Monet, C\u00e9zanne, Titian, D\u00fcrer, Van Dyck, Goya, Canova, Morandi, Burri and many others, from 14 September to 15 December 2024 one of the most decisive and long-lived avant-gardes of the 20th century \u2013 Surrealism \u2013 is celebrated, a century after its origins, also presenting its complex relationship with artists and the Italian cultural scene from the end of the 1920s to the end of the 1960s.<\/p>\n\n\n\n<p>The major exhibition \u201c<strong>Surrealism and Italy<\/strong>\u201d, curated by Alice Ensabella, Alessandro Nigro, Stefano Roffi, through over 150 works by Salvador <strong>Dal\u00ed<\/strong>, Ren\u00e9 <strong>Magritte<\/strong>, Max <strong>Ernst<\/strong>, Joan <strong>Mir\u00f3<\/strong>, Marcel <strong>Duchamp<\/strong>, Man <strong>Ray<\/strong>, Yves <strong>Tanguy<\/strong>, Giorgio <strong>de Chirico<\/strong> and his brother Alberto <strong>Savinio<\/strong>, Enrico <strong>Baj<\/strong>, Fabrizio <strong>Clerici<\/strong>, Leonor <strong>Fini<\/strong> and other protagonists of this imaginative current, bears witness to the vastness of the means and languages \u200b\u200bof Surrealism and explores its impact and evolution in our country, offering a new and fascinating perspective on a movement that has left an indelible mark on the contemporary artistic imagination. The exhibition itinerary unfolds in two large chapters, divided into thematic sections.<\/p>\n\n\n\n<p><strong>International Surrealism and its arrival in Italy<\/strong><br>The first chapter intends to present International Surrealism and its arrival in Italy; initially mediated by the work of de Chirico and Savinio returning from Paris in the 1930s, then represented through the works of the masters of the historical movement, which highlight a profound aesthetic and formal heterogeneity (abstract and figurative art), as well as a multitude of media used (painting, collage, assemblage, photography, ready-made, objets trouv\u00e9s). Here important works by <strong>Magritte, Dal\u00ed, Man Ray, Ernst, Masson, Mir\u00f3, Tanguy, Duchamp, Matta, Lam<\/strong>, as well as <strong>de Chirico<\/strong>, are presented.<\/p>\n\n\n\n<p><strong>The Italian Surrealist Scene<\/strong><br>The second chapter identifies the protagonists of the Italian Surrealist scene, starting from the 1930s, in order to examine its connections with the French group, but also \u2013 and above all \u2013 to highlight its independence and originality.<\/p>\n\n\n\n<p>In Italy, it is possible to observe the emergence of two main trends: on the one hand, the birth of a group inspired by new artistic practices and which maintains relations with the French group, as can be seen in the works of Sergio <strong>Dangelo<\/strong> or Enrico <strong>Baj<\/strong>. On the other hand, a fantastic figurative current, characterized by the production of visionary works, to which belong, among others, Leonor <strong>Fini<\/strong>, Fabrizio <strong>Clerici<\/strong>, Stanislao <strong>Lepri<\/strong>, for whom the work of <strong>de Chirico<\/strong> and <strong>Savinio<\/strong> was capital. The latter attracted international criticism, as demonstrated by their presence in the monographic issue of the American magazine View, published in 1946, entitled Italian Surrealists.<\/p>\n\n\n\n<p>Finally, special attention is given to the context of the spread of Surrealism in Italy, highlighting the actors and places that were its architects, in particular gallery owners (Schwarz, Tazzoli, Cardazzo, Del Corso, Jolas, Sargentini, Brin, etc.) and collectors (Guggenheim, Passar\u00e9, etc.). The Magnani-Rocca Foundation thus invites the public to this fascinating journey, discovering how the surrealist movement liberated the unconscious and transformed the perception of reality, offering new keys to understanding art and life. A celebration that is not only a tribute but a lively and current reflection on how psychic automatism continues to influence our present and, quoting Breton once again, discovering that &#8220;The marvelous is always beautiful, indeed, only the marvelous is beautiful.&#8221;<\/p>\n\n\n\n<p>Exhibition and catalogue edited by Alice Ensabella of the Universit\u00e9 Grenoble Alpes, Alessandro Nigro of the University of Florence, Stefano Roffi scientific director of the Magnani-Rocca Foundation.<br>Catalog (Dario Cimorelli Editore) with essays by the curators and by Silvana Annicchiarico, Mauro Carrera, Walter Guadagnini, Davide Lacagnina, Eugenia Maria Rossi, Angela Sanna, Ilaria Schiaffini, Alessandra Vaccari.<\/p>\n\n\n\n<p><strong>With the contribution of<\/strong><\/p>\n\n\n\n<figure class=\"wp-block-image\"><img loading=\"lazy\" decoding=\"async\" width=\"535\" height=\"77\" src=\"https:\/\/www.butterfly-transport.eu\/wp-content\/uploads\/2024\/09\/butterfly-transport-surrealismo-e-italia-7.png\" alt=\"\" class=\"wp-image-1825\" srcset=\"https:\/\/www.butterfly-transport.eu\/wp-content\/uploads\/2024\/09\/butterfly-transport-surrealismo-e-italia-7.png 535w, https:\/\/www.butterfly-transport.eu\/wp-content\/uploads\/2024\/09\/butterfly-transport-surrealismo-e-italia-7-300x43.png 300w\" sizes=\"(max-width: 535px) 100vw, 535px\" \/><\/figure>\n\n\n\n<p><em>Media partner: Gazzetta di Parma, Kreativehouse.<br>With the collaboration of: AXA XL Insurance and Aon Angeli Cornici, Bstr\u00f2, Cavazzoni Associati, Society for Mobility and Public Transport.<\/em><\/p>\n\n\n\n<figure class=\"wp-block-image\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"690\" src=\"https:\/\/www.butterfly-transport.eu\/wp-content\/uploads\/2024\/09\/butterfly-transport-surrealismo-e-italia-2-1024x690.png\" alt=\"\" class=\"wp-image-1826\" srcset=\"https:\/\/www.butterfly-transport.eu\/wp-content\/uploads\/2024\/09\/butterfly-transport-surrealismo-e-italia-2-1024x690.png 1024w, https:\/\/www.butterfly-transport.eu\/wp-content\/uploads\/2024\/09\/butterfly-transport-surrealismo-e-italia-2-300x202.png 300w, https:\/\/www.butterfly-transport.eu\/wp-content\/uploads\/2024\/09\/butterfly-transport-surrealismo-e-italia-2-768x518.png 768w, https:\/\/www.butterfly-transport.eu\/wp-content\/uploads\/2024\/09\/butterfly-transport-surrealismo-e-italia-2-1536x1035.png 1536w, https:\/\/www.butterfly-transport.eu\/wp-content\/uploads\/2024\/09\/butterfly-transport-surrealismo-e-italia-2.png 1800w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<p><em>Leonor Fini, Femme assise sur un homme nu, 1942, oil on canvas \u00a9\ufe0f Leonor Fini, by SIAE 2024<\/em><\/p>\n\n\n\n<figure class=\"wp-block-image\"><img loading=\"lazy\" decoding=\"async\" width=\"600\" height=\"806\" src=\"https:\/\/www.butterfly-transport.eu\/wp-content\/uploads\/2024\/09\/butterfly-transport-surrealismo-e-italia-3.png\" alt=\"\" class=\"wp-image-1828\" srcset=\"https:\/\/www.butterfly-transport.eu\/wp-content\/uploads\/2024\/09\/butterfly-transport-surrealismo-e-italia-3.png 600w, https:\/\/www.butterfly-transport.eu\/wp-content\/uploads\/2024\/09\/butterfly-transport-surrealismo-e-italia-3-223x300.png 223w\" sizes=\"(max-width: 600px) 100vw, 600px\" \/><\/figure>\n\n\n\n<p><em>Max Ernst, Divinit\u00e9, 1940, oil on canvas glued on cardboard. \u00a9\ufe0f Max Ernst by SIAE 2024<\/em><\/p>\n\n\n\n<figure class=\"wp-block-image\"><img loading=\"lazy\" decoding=\"async\" width=\"1000\" height=\"770\" src=\"https:\/\/www.butterfly-transport.eu\/wp-content\/uploads\/2024\/09\/butterfly-transport-surrealismo-e-italia-4.jpg\" alt=\"\" class=\"wp-image-1830\" srcset=\"https:\/\/www.butterfly-transport.eu\/wp-content\/uploads\/2024\/09\/butterfly-transport-surrealismo-e-italia-4.jpg 1000w, https:\/\/www.butterfly-transport.eu\/wp-content\/uploads\/2024\/09\/butterfly-transport-surrealismo-e-italia-4-300x231.jpg 300w, https:\/\/www.butterfly-transport.eu\/wp-content\/uploads\/2024\/09\/butterfly-transport-surrealismo-e-italia-4-768x591.jpg 768w\" sizes=\"(max-width: 1000px) 100vw, 1000px\" \/><\/figure>\n\n\n\n<p><em>Joan Mir\u00f3, Untitled (Biomorphic and Astral Figures), circa 1950, tempera and gouache on paper. \u00a9\ufe0f Joan Mir\u00f3 by SIAE 2024<\/em><\/p>\n\n\n\n<figure class=\"wp-block-image\"><img loading=\"lazy\" decoding=\"async\" width=\"850\" height=\"724\" src=\"https:\/\/www.butterfly-transport.eu\/wp-content\/uploads\/2024\/09\/butterfly-transport-surrealismo-e-italia-5.jpg\" alt=\"\" class=\"wp-image-1831\" srcset=\"https:\/\/www.butterfly-transport.eu\/wp-content\/uploads\/2024\/09\/butterfly-transport-surrealismo-e-italia-5.jpg 850w, https:\/\/www.butterfly-transport.eu\/wp-content\/uploads\/2024\/09\/butterfly-transport-surrealismo-e-italia-5-300x256.jpg 300w, https:\/\/www.butterfly-transport.eu\/wp-content\/uploads\/2024\/09\/butterfly-transport-surrealismo-e-italia-5-768x654.jpg 768w\" sizes=\"(max-width: 850px) 100vw, 850px\" \/><\/figure>\n\n\n\n<p><em>Rene Magritte, L\u2019\u00e9preuve du sommeil, 1926, oil on canvas. \u00a9\ufe0f Rene Magritte by SIAE 2024<\/em><\/p>\n\n\n\n<figure class=\"wp-block-image\"><img loading=\"lazy\" decoding=\"async\" width=\"910\" height=\"1024\" src=\"https:\/\/www.butterfly-transport.eu\/wp-content\/uploads\/2024\/09\/butterfly-transport-surrealismo-e-italia-6.jpg\" alt=\"\" class=\"wp-image-1832\" srcset=\"https:\/\/www.butterfly-transport.eu\/wp-content\/uploads\/2024\/09\/butterfly-transport-surrealismo-e-italia-6.jpg 910w, https:\/\/www.butterfly-transport.eu\/wp-content\/uploads\/2024\/09\/butterfly-transport-surrealismo-e-italia-6-267x300.jpg 267w, https:\/\/www.butterfly-transport.eu\/wp-content\/uploads\/2024\/09\/butterfly-transport-surrealismo-e-italia-6-768x864.jpg 768w\" sizes=\"(max-width: 910px) 100vw, 910px\" \/><\/figure>\n\n\n\n<p><em>Giorgio de Chirico, Il pomeriggio soave, 1916, oil on canvas. \u00a9\ufe0f Giorgio de Chirico by SIAE 2024<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Fondazione Magnani-Rocca, Mamiano di Traversetolo \u2013 ParmaSEPTEMBER 14 2024 \u2013 DECEMBER 15 2024 Surrealism was born one hundred years ago; from that moment on, the perception of the world will never be the same. \u201cImagination is nothing but the revelation of what we are, of our own substance, which is dream, purity, energy, freedom.\u201d wrote 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